sof:l1/571
PEECEEAMIGANEWSCHOOLOLDSCHOOLASCIIS
filename : PRNX-o11.ZiP
date : MON-15-FEB-2OO3
pack size : 147734 bytes
files : +*lOGOz: 62 / +*liT: 4 / +*oTHER: 12
compiled by : GUHA
actives : SILAZ
************************************ sENiORs *****
TUPAJ stirring? groove@malditainternet.net
SILAZ AKA MKD founder PVRE@POST.COM
PESHO aka MKD exiled unknownemail@address
DARK-D married unknownemail@address
ARLEQUIN no more lies unknownemail@address
dARK-sIDE gone unknownemail@address
************************************- aLUMNi *****
ALUMNI 1 apply! unknownemail@address
******************************** tHe sUPPORt *****
aBSi7 0MEn worldHQ XX.XX.XXXXXXXXX
tHE ZEITGEIST asianHQ XXXXXXXXXXXXXXX
XXXXXXXXXXXXXXX europeanHQ XXXXXXXXXXXXXXX
XXXXXXXXXXXXXXX s.africanHQ XXXXXXXXXXXXXXX
XXXXXXXXXXXXXXX americanHQ XXXXXXXXXXXXXXX
nACiOn aLTERNATiVa s.americanHQ XXXXXXXXXXXXXXX
******************************** cONTENTS... *****
fILENAMe lOGo fLAGz
0 2600/Calcutta.in SGK-26OO.ASC --P-
un AmigaElite SGK-AMI9.ASC -T--
deux Advertz SGK-ADS.ASC ---r
trois Bo0mid.diz SGK-BDIZ.ASC ---r
cinq Bioforce SGK-BF.ASC -T--
six Bo0m SGK-BO0M.ASC ---r
sept openBSD.de SGK-BSD.ASC ---r
huit Farewel... SGK-BYO.ANS --P-
neuf Daydream SGK-DD.ASC -T--
dix Diadems SGK-DIAD.ASC -T--
onze Draptak SGK-DRAP.ASC -T--
douze Dzo 2 GGK-DZO.ASC --P-
treize fMF SGK-FMF.ASC ---r
quatorze Frozen SGK-FROZ.ASC ---r
quinze History SGK-HIST.ASC ---r
seize Index SGK-INDE.ASC ---r
dix-sept Intros List SGK-INLI.ASC --P-
dix-nuit Intro SGK-INTR.ASC ---r
vignt The Indian Tolkien Soc. SGK-ITS.ASC --P-
vignt-un Jenneusse Dore SGK-JEND.ASC --P-
vignt-deux Jinetes Sistole-Diastole SGK-JSD.ASC -T--
vignt-trois Letter SGK-LETT.ASC ---r
vignt-quatre Malevolence SGK-MALE.ASC ---r
vignt-cinq Mitunoso SGK-MITA.ASC --P-
vignt-six Morbo SGK-MORB.ASC ---r
vignt-sept Morauno SGK-MORO ANS R---
vignt-huit Messages SGK-MSGS.ASC ---r
vignt-neuf Heimdall SGK-OM.ANS --P-
treinta Parkz II SGK-PARX.ASC --P-
treintayuno Peak SGK-PEAK.ASC --P-
treintaydos Poes Land SGK-PL.ASC -T--
treintaytres 999Paradoxx SGK-PRD.ASC --P-
treintaycuatro Remorse 1981 SGK-RMRS.ASC -T--
treintaycinco Roughneck SGK-RN.ASC ---r
trentayseis sCZ SGK-SCZ.ASC ---r
trentaysiete Sepicon SGK-SEPI.ASC ---r
trentayocho kick RETURN SGK-SETB.ASC --P-
treintaynueve Silas G. Kavi Maharaja SGK-SGK.ASC --P-
cuarenta Solid Ground 88 SGK-SG.ASC -T--
cuarentayuno Suaves Maneras de Equidad SGK-SME.ASC --P-
cuarentaydos SGKs Self-portrait SGK-SP.ASC --P-
cuarentaytres Stuff SGK-STUF.ASC ---r
cuarentaycuatro Soft ways of fairness SGK-SWOF.ASC --P-
cuarentaycinco The End SGK-TE.ASC ---r
cuarentayseis The Elite Squad SGK-TES.ASC -T--
cuarentaysiete Til-o-drome SGK-TLD.ASC --P-
cuareentayocho The Northern Palace SGK-TNP.ASC -T--
cuarentaynueve News SGK-TROL.ASC ---r
cincuenta Acracia - rmxd RMX-ANA.ANS R---
cincuentayuno Complex - rmxd RMX-COMP.ASC R---
cincuentaydos Endor - rmxd RMX-ENDO.ASC R---
cincuentayuno Intento - rmxd RMX-INTA.ASC R---
cincuentaydos La Alfombra de Crema - rmxd RMX-LADC.ASC R---
cincuentaytres Mariano - rmxd RMX-CHAK.ASC R---
cincuentaycuatro Meincrane - rmxd RMX-MONG.ASC R---
cincuentaycinco Noname Brand Ascii - rmxd RMX-NBA.ASC R---
cincuentayseis No Pasarn - rmxd RMX-TWNP.ASC R---
cincuentaysiete Pampilla - rmxd RMX-PAMP.ANS R---
cincuentayocho Rave-n - rmxd RMX-RVN.ASC R---
@@
@@ fILENAMe wHAT iS?
@@
@@
@@ FILEID.DIZ Description
@@
@@ SK-AMEND.DOX Silas Apologies
@@ oTHER
@@ fiLES SK-SMDE.LIT Suaves Maneras de Equidad
@@
@@ SK-SWOF.LIT Soft Ways of Fairness
@@
@@ WESTERNH.LIT A haiku
@@
@@s PRNX-O11.NFO The Prana/x InfoFile
@@@
@@@ SGK-SELF.TXT Manifest: Silaz Self-Interview
@@@
@@@ SGK-OUVR.TXT The asciis by Silaz, so far.
@@@
@@@ --------.--- Stub
@@@
@@@ prnx-006.zip The Remake of T.P.E 6
@@@
****************************** sOME wORDS... *****
Welcome to the farewell pack of T.P.E. I have realized
that was very worthless trying to keep Prana!Ascii al-
ive. It is because Ive never received help with the
releases from the other members... so thats why in
the previous pack Ive released the Application Form.
It happened that Ive decided to open Prana to others
to finish its phase of invite-only status. *But* thin-
king over it I finish having the certainty that for
doing something like that theres the need of founding
a new group and begin anew... I cant open to everybo-
dy an elite clique like PRN that was planned and imple-
mented in uncountable nights that the members spent
together, partying. Prana was very elite, but from the
beginning was a kind of competitive confidence and
elitousness around the group, that instead of being
of some good to the group, only has helped to see what
happens when you run an invite-only group w/out being
near the ascii-scene at the same time. And what is
being near the ascii scene? Definitely: running the
groups channel on IRC, 24hs a day, 7 days per week...
or having a bulletin board system for supporting ir or/
and functioning as a group... but there wasnt a
prana... it just never existed... never.. and thats
maybe why the group never progressed nor grew.
Ive left my motherland in november of the year 2000,
from that season that I havent seen TR5, Arl, Dark-d
or Dark-s, anymore. I went to North America, then I
went to Europe to be precise: To Barcelona in Catalonia
this for those who think that Im in the U.K, because of
the .nfo of ReMoRSe-42. In Barcelona I stood some months,
and then I have bought my ticket to India.
I came to India three years before, Im settled in India
now and with mires to stay in it more time, the time
it takes for me to get a MCA degree. The point is that
only after three years already here I could manage to buy
me a PeeCee... So now, before deepening more in this
deceased collective that is Prana, I prefer to dissol-
ve it. I will tell you how I managed to release the
five packs Ive released in India w/out the PC: Ive
done them at school and sometimes in the cyber-shoppes
Yeah, sadly Ive fell so low... because it was a very
uneasy experience, finally, we have the proof with
some or others of this packs, for example the pack
number six... I think, in my life of almost ten years
in the scene Ive compiled or packed dozens of rele-
ases for different groups, but Ive never coded a pack
so faulty as is T.P.E number six... its so, so faulty
that Ill request if you have it, please delete it.
Inside this pack goes the fixed version of T.P.E. 6,
please, take a look at it, and read its info file, it
is updated with a new manifest about why the original
6 came out so full of errors...
Other thing I want to express is how I see the ascii
scene: in short: I think its something greatly useful
because Ive meditated of it and discovered that it is
useful for various ends. I will try to enumerate them
in no particular order: the electronic underground art
groups are, to my eyes, the principal think-tanks for
the software entertainment industry... how many times
you discover that this or that ascii-doode or hirez-girl
and that ansi-chick and the other rip-guy have passed
from being sceners to a life of study or work for the
software entertainment industry, or even for the enter-
tainment industry in general? As to say: cartoons, RPGs
infantile books, toys, comics? I think very often... so
it is a beautiful hobby to ge inspiration and support
if you want to be a professional entertainer... it is a
*good place to begin* if you want to become a professional
entertainer... its a good place to begin and I think
that the experience can be really edifying... Youre
immersed in the fantastic, fabulous minds of all the
persons with an artistic sensibility who are not only
artists, but also consumers, and while they still are
doing arts for free and in the underground, in the end
they share, more or less, the same tastes for arts that
others doing the same hobby have. So I think its good
for the kids and adolescents to exist in something
like the scene, its good to have a substantiation,
a sense with the people that in the future may be your
colleagues, public or competitors...
But there are other reasons, I think the scene and
the specific art you perform on it can teach you a lot,
they can help you to learn aesthetics and you can deve-
lop a style... so you can learn about style also.. when
you begin to create digital arts, if you have been born
an artist, youre going to discover it, because you are
going to begin to live the artists experiences although
you are not going to be a mainstream artist like a sculp-
tor, a painter or a poet... so I find this reasons, the
most difficult to find, to this youve to add all the
additional things that, also, youre going to receive
from the scene I enumerate, you think of it by yourself:
*Free entertaining stuffs, *Help from others in designing
whatever you want to design, *PalSHiP, *Friendship, *even
Love, *A public ready to consume your arts, *Warez If you
are the type of those who trade your arts for shells *Cah,
*Parties, *A system to test the wanna-bes of possibility
*Style, *Craftsmanship, but in my personal case the most
useful feature of the scene I found is that its a crite-
rion where the aptitude of those who want to be entertai-
ners is exposed.
I need to affix here the Corrigenda of the last pack, its
the vintage of typing errors of some of the textfiles of
the last pack:
Line / Error / Correction
*CRITIC-1.TXT
57 accdepts read: accepts
58 loosing read: losing
*CRITIC-3.TXT
6 sorto read: sort of
17 elementa read: elements
*CRITIC-4.TXT
6 endu- red read: endured
9 de read: the
14 wak read: weak
24 gril read: girl
42 t read: free space
I want to take advantage of this infofile for remembering
you this: DONT NEGLECT THE TEXT-FILES in this pack, even
the .NFO inside the zip of the remake of the 6. It is be-
cause there is too much fact in the textfiles of this pack,
Ill enumerate: first thing: my e-book of .LITs, titled
Soft Ways of Fairness/Suaves Maneras de Equidad... this new
english version is revised and it has the notes of the
difficult words of it, minor changes in the Notice have
been done and also in the punctuation of the poems. Then
other files I wish you read is the reviews of my own poems
for Circe/1997, this are the files CRITICA*.TXT for the
spanish versions the ones in this pack and CRITIC-*.*
the english versions included in TPE/x 10. Here Im
seeing clearly all the errors that Ive done in 1997 when
I wasnt a poet like I am now... if you want the real thing,
something I dont recommend you, just donwload the packs
of Circe CRC*.* from thuglife.org for instance and then
download the Prn/x 10 if you speak only english then
read the reviews and take a look to the poems that are inside
of the packs, they are 3, plus one that is inside of a colly.
You will feel the lowness of that...
Respecting the e-book: SGK-SWF.LIT and SGK-SME.LIT
you can publish it if you dare, just remember it was con-
ceived to be an e-book, of redressing something that had
substance and was worth of singing about, but as I told,
my skills in 1997 where minimal, only knowledge of poetry
by reading it all the time, but no kind of knowledge on
how to write it. I think the new poems compiled in the
book are good but weird, besides, I know that for this
kind of poems, so away of the main trends of modern poetry
although they are also modern, for this specie of poem I
cant think of keeping them for a bigger book of poetry
w/mires to publish it commercially... they simply have the
strain of the 1997 ones and inevitably arent what I think
can be marketable... so if you think that you can print
them and sell them in some fanzine, or if you think you can
use them for some magazine or whatever other mean of
publication: well.. you can, *BUT PLEASE, CONTACT ME BEFORE
DOING IT* I want to receive a copy of whatever product you
do using them
Other files worth of seeing them are the Apologies Manifesto
SGK-AMEN.TXT where I explain things very personal as how was
my mental condition when I was in .AR, and the other file is
the Silaz Self-Interview SGK-SSI.TXT. This file is an ex-
planation of who I am and what Ive been up to for the las 3
years, I am of the type who thinks that sharing personal mat-
ters in the scene is lacking decorum, but this is a different
case, I AM KILLING THE PRANA EXPRESS, you deserve to know more
about myself. And you are going to find also flames for some
persons who deserve it and, pertaining this suckers, apologies
for the persons who could think, that after I went to the US,
joined Remorse1981 and completed an ascii collection for R81,
that I have lost sense because of the ppl that nobody likes
anymore in the scene and I continued greeting, sorry about this
and read the Self Interview for a detailed understanding of
what I am telling.
Then... theres other two more .lits: one is a western haiku,
The specie of haiku made with the western-haiku method in-
vented by the Franco-American writer Jack Kerouac, the last,
since this is the last Prana Express, then theres the trans-
lation of a poems that I wrote one day of the late nineties
that was a cute poem although, as I said before: in the last
millenium I wasnt a poet like Im now, but this poem, never-
theless, is cute, take a look at it SGK-TD.LIT.
Then, thats all the end of Prana!Ascii and the beginning
of a new phase in my life: When I was about to begin travelling
I have quitted the AsciiCollection format, that was three years
before, now I have PC again, probably I will do collections
again, and probably youll see my asciis in the Remorse releases
too, so stay tuned.
Peace and Freedom, signed: S.G Kavi, Remorse 1981.
****************************** gROUP rESPECTS *****
fOR: aLL tHE aMIGA eLITE, oLDSCHOOL tITANS / kWEST
qUAD-P / mISTIGRIS / rEMORSE / mIMIC / ACiD
******************** tHE fiNAL gREETZ ************
gROUP gREETZ:
rEMORSE1981
dAN
aTTACK!
aEGIS
iMPURE
bLACKmAIDEN
mAIDEN.BR
mISTIGRIS
wOE
aCID
iNNUENDO
lEMBA
sEIKENdENETSU
pHUNK
xPA
mIMIC
cYBERcRIMEiNTERNATIONAL
eTHEREAL
tHEmORNINGcREW
gU3RRILLA
jINETESdElAsISTOLE-DIASTOLE
sOULSIDE
mINOTAUROeZINE
pTL
tRYLOXY
tRADEoRdIE
x-ROADS
dGC
kORTATU
uMI
cATHEDRAL
pANTHEONcODERZ
nECROPOLISnETWORKZ
vNG
tOWERoFbABELnET
tRAXX
pSYCHEDELICsALLYnETWORX
rITUALfORCEgFX
aZUREsKY
dARKNESS
aIM
fIREGFX
fUEL
iNSANEcODERS
pERSONAL gREETZ:
GEORGE/Fedcon
ABrain/Impure/Pvngaz
AdrielRozkam
AizKiub/kOr
Anuxis
Arrogance/Kwest
Beasty/rWC.data
Billy/s1
Biomemo/Pvngas
BloodyRose/aMB
Boheme/Style
Brvno/sC
BlackPanther/Prestige
Cactus/Hora25BBS
Cain-one/Kwest/Noname
Cexilia/vNG
Cirano/rWC.data
Coda/BASH/sC/Pungaz
Cote/Elite
Cromos/BASH/Etherial
Cthulu/Mistigris
Cyc0/kOrtatu
Diamond/Circe/Pungaz/aMB
Dracvl/rWC.data
DRShizuma/Mimic
Druida/Etherial
Ethnic
Eziman/mTX
Fear/Circe/BASH
Fab/??
Fafa/ToB
Fatman, The/mTX
Gavi-leex/vNG
Giz
Hazzan/Etherial
Inquirer/mTX
Isha/BlackRiders
Jack/dIGITALgARGAJO/mS
Koza/jSD
Kristo/pM/tW
LaMuertita/Lima
LadyAleSita/kOr
L.G. Hanssen/CrnicaLibertaria
Led/ToB
Lovelia/Lima
Luck/Razor1911
Madbit/aMB/mTX
MA-Dog/Etherial
Marky/LosCubos
Mary-E
Moderno/Darkness
Mozart/aO
Murk/dGC
Naka/Necropolis Netwrks.
Neodir.BR
nOCHES/Circe
n.V. Matayoga
Panoramix/Mindprobe/tLY
Pariah/Kwest/Eclipse
Passionale/Etherial/Ambush
Peekaboo/Fedcon
Pix/Impure
Pogue/Impure
Pontx25-9/iS/PennyGard/ToB
Poskg/kTS
Prask/Lima
Predator/pGA
Prowler/Attack!
Radman/ACiD
Rave-N/Mindprobe/dSP/uMi/aMB
Rorshack/Maiden.br
Zavas/kOrtatu
Sludge/Pungaz
Sweet Mortimer Twang/LowProfile
sA/Circe
Sonik/aMB
Spektor/Etherial/Pungaz
Stormee/BASH
Threaz/Twisted
TresX/Etherial
T-Bob/Hazmat
Toshi/BlackRiders
Uctumi/Circe
Veyda/BASH
Velikani/DivineStylers/Mimic
Wendigo/Pvngas
Xose/rWC.data
+, the REMORSE greetz:
Cleaner * H. Protagonist * Erupt * Merlin Clarky Boy * mHz * Necromancer *
Nightrain * Ogre * Omi * Poskgubbe * Spinsane * TupajTR5 * Tzeentech
Virago * Whirr81 * Whodini
This is it... end of The Prana/x. Peace, Zilas 15/MAR/2004
Stay tuned for SGKs upcoming oldschool Ascii Collections
comments? requests? swapping? mail me at: pvre@post.com
eof:l571/571
PEECEEAMIGANEWSCHOOLOLDSCHOOLASCIIS
filename : PRNX-o11.ZiP
date : MON-15-FEB-2OO3
pack size : 147734 bytes
files : +*lOGOz: 62 / +*liT: 4 / +*oTHER: 12
compiled by : GUHA
actives : SILAZ
************************************ sENiORs *****
TUPAJ stirring? groove@malditainternet.net
SILAZ AKA MKD founder PVRE@POST.COM
PESHO aka MKD exiled unknownemail@address
DARK-D married unknownemail@address
ARLEQUIN no more lies unknownemail@address
dARK-sIDE gone unknownemail@address
************************************- aLUMNi *****
ALUMNI 1 apply! unknownemail@address
******************************** tHe sUPPORt *****
aBSi7 0MEn worldHQ XX.XX.XXXXXXXXX
tHE ZEITGEIST asianHQ XXXXXXXXXXXXXXX
XXXXXXXXXXXXXXX europeanHQ XXXXXXXXXXXXXXX
XXXXXXXXXXXXXXX s.africanHQ XXXXXXXXXXXXXXX
XXXXXXXXXXXXXXX americanHQ XXXXXXXXXXXXXXX
nACiOn aLTERNATiVa s.americanHQ XXXXXXXXXXXXXXX
******************************** cONTENTS... *****
fILENAMe lOGo fLAGz
0 2600/Calcutta.in SGK-26OO.ASC --P-
un AmigaElite SGK-AMI9.ASC -T--
deux Advertz SGK-ADS.ASC ---r
trois Bo0mid.diz SGK-BDIZ.ASC ---r
cinq Bioforce SGK-BF.ASC -T--
six Bo0m SGK-BO0M.ASC ---r
sept openBSD.de SGK-BSD.ASC ---r
huit Farewel... SGK-BYO.ANS --P-
neuf Daydream SGK-DD.ASC -T--
dix Diadems SGK-DIAD.ASC -T--
onze Draptak SGK-DRAP.ASC -T--
douze Dzo 2 GGK-DZO.ASC --P-
treize fMF SGK-FMF.ASC ---r
quatorze Frozen SGK-FROZ.ASC ---r
quinze History SGK-HIST.ASC ---r
seize Index SGK-INDE.ASC ---r
dix-sept Intros List SGK-INLI.ASC --P-
dix-nuit Intro SGK-INTR.ASC ---r
vignt The Indian Tolkien Soc. SGK-ITS.ASC --P-
vignt-un Jenneusse Dore SGK-JEND.ASC --P-
vignt-deux Jinetes Sistole-Diastole SGK-JSD.ASC -T--
vignt-trois Letter SGK-LETT.ASC ---r
vignt-quatre Malevolence SGK-MALE.ASC ---r
vignt-cinq Mitunoso SGK-MITA.ASC --P-
vignt-six Morbo SGK-MORB.ASC ---r
vignt-sept Morauno SGK-MORO ANS R---
vignt-huit Messages SGK-MSGS.ASC ---r
vignt-neuf Heimdall SGK-OM.ANS --P-
treinta Parkz II SGK-PARX.ASC --P-
treintayuno Peak SGK-PEAK.ASC --P-
treintaydos Poes Land SGK-PL.ASC -T--
treintaytres 999Paradoxx SGK-PRD.ASC --P-
treintaycuatro Remorse 1981 SGK-RMRS.ASC -T--
treintaycinco Roughneck SGK-RN.ASC ---r
trentayseis sCZ SGK-SCZ.ASC ---r
trentaysiete Sepicon SGK-SEPI.ASC ---r
trentayocho kick RETURN SGK-SETB.ASC --P-
treintaynueve Silas G. Kavi Maharaja SGK-SGK.ASC --P-
cuarenta Solid Ground 88 SGK-SG.ASC -T--
cuarentayuno Suaves Maneras de Equidad SGK-SME.ASC --P-
cuarentaydos SGKs Self-portrait SGK-SP.ASC --P-
cuarentaytres Stuff SGK-STUF.ASC ---r
cuarentaycuatro Soft ways of fairness SGK-SWOF.ASC --P-
cuarentaycinco The End SGK-TE.ASC ---r
cuarentayseis The Elite Squad SGK-TES.ASC -T--
cuarentaysiete Til-o-drome SGK-TLD.ASC --P-
cuareentayocho The Northern Palace SGK-TNP.ASC -T--
cuarentaynueve News SGK-TROL.ASC ---r
cincuenta Acracia - rmxd RMX-ANA.ANS R---
cincuentayuno Complex - rmxd RMX-COMP.ASC R---
cincuentaydos Endor - rmxd RMX-ENDO.ASC R---
cincuentayuno Intento - rmxd RMX-INTA.ASC R---
cincuentaydos La Alfombra de Crema - rmxd RMX-LADC.ASC R---
cincuentaytres Mariano - rmxd RMX-CHAK.ASC R---
cincuentaycuatro Meincrane - rmxd RMX-MONG.ASC R---
cincuentaycinco Noname Brand Ascii - rmxd RMX-NBA.ASC R---
cincuentayseis No Pasarn - rmxd RMX-TWNP.ASC R---
cincuentaysiete Pampilla - rmxd RMX-PAMP.ANS R---
cincuentayocho Rave-n - rmxd RMX-RVN.ASC R---
@@
@@ fILENAMe wHAT iS?
@@
@@
@@ FILEID.DIZ Description
@@
@@ SK-AMEND.DOX Silas Apologies
@@ oTHER
@@ fiLES SK-SMDE.LIT Suaves Maneras de Equidad
@@
@@ SK-SWOF.LIT Soft Ways of Fairness
@@
@@ WESTERNH.LIT A haiku
@@
@@s PRNX-O11.NFO The Prana/x InfoFile
@@@
@@@ SGK-SELF.TXT Manifest: Silaz Self-Interview
@@@
@@@ SGK-OUVR.TXT The asciis by Silaz, so far.
@@@
@@@ --------.--- Stub
@@@
@@@ prnx-006.zip The Remake of T.P.E 6
@@@
****************************** sOME wORDS... *****
Welcome to the farewell pack of T.P.E. I have realized
that was very worthless trying to keep Prana!Ascii al-
ive. It is because Ive never received help with the
releases from the other members... so thats why in
the previous pack Ive released the Application Form.
It happened that Ive decided to open Prana to others
to finish its phase of invite-only status. *But* thin-
king over it I finish having the certainty that for
doing something like that theres the need of founding
a new group and begin anew... I cant open to everybo-
dy an elite clique like PRN that was planned and imple-
mented in uncountable nights that the members spent
together, partying. Prana was very elite, but from the
beginning was a kind of competitive confidence and
elitousness around the group, that instead of being
of some good to the group, only has helped to see what
happens when you run an invite-only group w/out being
near the ascii-scene at the same time. And what is
being near the ascii scene? Definitely: running the
groups channel on IRC, 24hs a day, 7 days per week...
or having a bulletin board system for supporting ir or/
and functioning as a group... but there wasnt a
prana... it just never existed... never.. and thats
maybe why the group never progressed nor grew.
Ive left my motherland in november of the year 2000,
from that season that I havent seen TR5, Arl, Dark-d
or Dark-s, anymore. I went to North America, then I
went to Europe to be precise: To Barcelona in Catalonia
this for those who think that Im in the U.K, because of
the .nfo of ReMoRSe-42. In Barcelona I stood some months,
and then I have bought my ticket to India.
I came to India three years before, Im settled in India
now and with mires to stay in it more time, the time
it takes for me to get a MCA degree. The point is that
only after three years already here I could manage to buy
me a PeeCee... So now, before deepening more in this
deceased collective that is Prana, I prefer to dissol-
ve it. I will tell you how I managed to release the
five packs Ive released in India w/out the PC: Ive
done them at school and sometimes in the cyber-shoppes
Yeah, sadly Ive fell so low... because it was a very
uneasy experience, finally, we have the proof with
some or others of this packs, for example the pack
number six... I think, in my life of almost ten years
in the scene Ive compiled or packed dozens of rele-
ases for different groups, but Ive never coded a pack
so faulty as is T.P.E number six... its so, so faulty
that Ill request if you have it, please delete it.
Inside this pack goes the fixed version of T.P.E. 6,
please, take a look at it, and read its info file, it
is updated with a new manifest about why the original
6 came out so full of errors...
Other thing I want to express is how I see the ascii
scene: in short: I think its something greatly useful
because Ive meditated of it and discovered that it is
useful for various ends. I will try to enumerate them
in no particular order: the electronic underground art
groups are, to my eyes, the principal think-tanks for
the software entertainment industry... how many times
you discover that this or that ascii-doode or hirez-girl
and that ansi-chick and the other rip-guy have passed
from being sceners to a life of study or work for the
software entertainment industry, or even for the enter-
tainment industry in general? As to say: cartoons, RPGs
infantile books, toys, comics? I think very often... so
it is a beautiful hobby to ge inspiration and support
if you want to be a professional entertainer... it is a
*good place to begin* if you want to become a professional
entertainer... its a good place to begin and I think
that the experience can be really edifying... Youre
immersed in the fantastic, fabulous minds of all the
persons with an artistic sensibility who are not only
artists, but also consumers, and while they still are
doing arts for free and in the underground, in the end
they share, more or less, the same tastes for arts that
others doing the same hobby have. So I think its good
for the kids and adolescents to exist in something
like the scene, its good to have a substantiation,
a sense with the people that in the future may be your
colleagues, public or competitors...
But there are other reasons, I think the scene and
the specific art you perform on it can teach you a lot,
they can help you to learn aesthetics and you can deve-
lop a style... so you can learn about style also.. when
you begin to create digital arts, if you have been born
an artist, youre going to discover it, because you are
going to begin to live the artists experiences although
you are not going to be a mainstream artist like a sculp-
tor, a painter or a poet... so I find this reasons, the
most difficult to find, to this youve to add all the
additional things that, also, youre going to receive
from the scene I enumerate, you think of it by yourself:
*Free entertaining stuffs, *Help from others in designing
whatever you want to design, *PalSHiP, *Friendship, *even
Love, *A public ready to consume your arts, *Warez If you
are the type of those who trade your arts for shells *Cah,
*Parties, *A system to test the wanna-bes of possibility
*Style, *Craftsmanship, but in my personal case the most
useful feature of the scene I found is that its a crite-
rion where the aptitude of those who want to be entertai-
ners is exposed.
I need to affix here the Corrigenda of the last pack, its
the vintage of typing errors of some of the textfiles of
the last pack:
Line / Error / Correction
*CRITIC-1.TXT
57 accdepts read: accepts
58 loosing read: losing
*CRITIC-3.TXT
6 sorto read: sort of
17 elementa read: elements
*CRITIC-4.TXT
6 endu- red read: endured
9 de read: the
14 wak read: weak
24 gril read: girl
42 t read: free space
I want to take advantage of this infofile for remembering
you this: DONT NEGLECT THE TEXT-FILES in this pack, even
the .NFO inside the zip of the remake of the 6. It is be-
cause there is too much fact in the textfiles of this pack,
Ill enumerate: first thing: my e-book of .LITs, titled
Soft Ways of Fairness/Suaves Maneras de Equidad... this new
english version is revised and it has the notes of the
difficult words of it, minor changes in the Notice have
been done and also in the punctuation of the poems. Then
other files I wish you read is the reviews of my own poems
for Circe/1997, this are the files CRITICA*.TXT for the
spanish versions the ones in this pack and CRITIC-*.*
the english versions included in TPE/x 10. Here Im
seeing clearly all the errors that Ive done in 1997 when
I wasnt a poet like I am now... if you want the real thing,
something I dont recommend you, just donwload the packs
of Circe CRC*.* from thuglife.org for instance and then
download the Prn/x 10 if you speak only english then
read the reviews and take a look to the poems that are inside
of the packs, they are 3, plus one that is inside of a colly.
You will feel the lowness of that...
Respecting the e-book: SGK-SWF.LIT and SGK-SME.LIT
you can publish it if you dare, just remember it was con-
ceived to be an e-book, of redressing something that had
substance and was worth of singing about, but as I told,
my skills in 1997 where minimal, only knowledge of poetry
by reading it all the time, but no kind of knowledge on
how to write it. I think the new poems compiled in the
book are good but weird, besides, I know that for this
kind of poems, so away of the main trends of modern poetry
although they are also modern, for this specie of poem I
cant think of keeping them for a bigger book of poetry
w/mires to publish it commercially... they simply have the
strain of the 1997 ones and inevitably arent what I think
can be marketable... so if you think that you can print
them and sell them in some fanzine, or if you think you can
use them for some magazine or whatever other mean of
publication: well.. you can, *BUT PLEASE, CONTACT ME BEFORE
DOING IT* I want to receive a copy of whatever product you
do using them
Other files worth of seeing them are the Apologies Manifesto
SGK-AMEN.TXT where I explain things very personal as how was
my mental condition when I was in .AR, and the other file is
the Silaz Self-Interview SGK-SSI.TXT. This file is an ex-
planation of who I am and what Ive been up to for the las 3
years, I am of the type who thinks that sharing personal mat-
ters in the scene is lacking decorum, but this is a different
case, I AM KILLING THE PRANA EXPRESS, you deserve to know more
about myself. And you are going to find also flames for some
persons who deserve it and, pertaining this suckers, apologies
for the persons who could think, that after I went to the US,
joined Remorse1981 and completed an ascii collection for R81,
that I have lost sense because of the ppl that nobody likes
anymore in the scene and I continued greeting, sorry about this
and read the Self Interview for a detailed understanding of
what I am telling.
Then... theres other two more .lits: one is a western haiku,
The specie of haiku made with the western-haiku method in-
vented by the Franco-American writer Jack Kerouac, the last,
since this is the last Prana Express, then theres the trans-
lation of a poems that I wrote one day of the late nineties
that was a cute poem although, as I said before: in the last
millenium I wasnt a poet like Im now, but this poem, never-
theless, is cute, take a look at it SGK-TD.LIT.
Then, thats all the end of Prana!Ascii and the beginning
of a new phase in my life: When I was about to begin travelling
I have quitted the AsciiCollection format, that was three years
before, now I have PC again, probably I will do collections
again, and probably youll see my asciis in the Remorse releases
too, so stay tuned.
Peace and Freedom, signed: S.G Kavi, Remorse 1981.
****************************** gROUP rESPECTS *****
fOR: aLL tHE aMIGA eLITE, oLDSCHOOL tITANS / kWEST
qUAD-P / mISTIGRIS / rEMORSE / mIMIC / ACiD
******************** tHE fiNAL gREETZ ************
gROUP gREETZ:
rEMORSE1981
dAN
aTTACK!
aEGIS
iMPURE
bLACKmAIDEN
mAIDEN.BR
mISTIGRIS
wOE
aCID
iNNUENDO
lEMBA
sEIKENdENETSU
pHUNK
xPA
mIMIC
cYBERcRIMEiNTERNATIONAL
eTHEREAL
tHEmORNINGcREW
gU3RRILLA
jINETESdElAsISTOLE-DIASTOLE
sOULSIDE
mINOTAUROeZINE
pTL
tRYLOXY
tRADEoRdIE
x-ROADS
dGC
kORTATU
uMI
cATHEDRAL
pANTHEONcODERZ
nECROPOLISnETWORKZ
vNG
tOWERoFbABELnET
tRAXX
pSYCHEDELICsALLYnETWORX
rITUALfORCEgFX
aZUREsKY
dARKNESS
aIM
fIREGFX
fUEL
iNSANEcODERS
pERSONAL gREETZ:
GEORGE/Fedcon
ABrain/Impure/Pvngaz
AdrielRozkam
AizKiub/kOr
Anuxis
Arrogance/Kwest
Beasty/rWC.data
Billy/s1
Biomemo/Pvngas
BloodyRose/aMB
Boheme/Style
Brvno/sC
BlackPanther/Prestige
Cactus/Hora25BBS
Cain-one/Kwest/Noname
Cexilia/vNG
Cirano/rWC.data
Coda/BASH/sC/Pungaz
Cote/Elite
Cromos/BASH/Etherial
Cthulu/Mistigris
Cyc0/kOrtatu
Diamond/Circe/Pungaz/aMB
Dracvl/rWC.data
DRShizuma/Mimic
Druida/Etherial
Ethnic
Eziman/mTX
Fear/Circe/BASH
Fab/??
Fafa/ToB
Fatman, The/mTX
Gavi-leex/vNG
Giz
Hazzan/Etherial
Inquirer/mTX
Isha/BlackRiders
Jack/dIGITALgARGAJO/mS
Koza/jSD
Kristo/pM/tW
LaMuertita/Lima
LadyAleSita/kOr
L.G. Hanssen/CrnicaLibertaria
Led/ToB
Lovelia/Lima
Luck/Razor1911
Madbit/aMB/mTX
MA-Dog/Etherial
Marky/LosCubos
Mary-E
Moderno/Darkness
Mozart/aO
Murk/dGC
Naka/Necropolis Netwrks.
Neodir.BR
nOCHES/Circe
n.V. Matayoga
Panoramix/Mindprobe/tLY
Pariah/Kwest/Eclipse
Passionale/Etherial/Ambush
Peekaboo/Fedcon
Pix/Impure
Pogue/Impure
Pontx25-9/iS/PennyGard/ToB
Poskg/kTS
Prask/Lima
Predator/pGA
Prowler/Attack!
Radman/ACiD
Rave-N/Mindprobe/dSP/uMi/aMB
Rorshack/Maiden.br
Zavas/kOrtatu
Sludge/Pungaz
Sweet Mortimer Twang/LowProfile
sA/Circe
Sonik/aMB
Spektor/Etherial/Pungaz
Stormee/BASH
Threaz/Twisted
TresX/Etherial
T-Bob/Hazmat
Toshi/BlackRiders
Uctumi/Circe
Veyda/BASH
Velikani/DivineStylers/Mimic
Wendigo/Pvngas
Xose/rWC.data
+, the REMORSE greetz:
Cleaner * H. Protagonist * Erupt * Merlin Clarky Boy * mHz * Necromancer *
Nightrain * Ogre * Omi * Poskgubbe * Spinsane * TupajTR5 * Tzeentech
Virago * Whirr81 * Whodini
This is it... end of The Prana/x. Peace, Zilas 15/MAR/2004
Stay tuned for SGKs upcoming oldschool Ascii Collections
comments? requests? swapping? mail me at: pvre@post.com
eof:l571/571
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