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Crash Concept. Music Style by D.D.Light
Standard points.
1 Treble.
Square position of notes, not enough variation, example:
C-5 01 .. .... Instruments
C-5 01 .. .... 01 HighHat
C-5 01 .. .... 02
C-5 01 .. .... 03
2 Bass.
Sintesized sound with distortions, like the bass of Army of Me of Bjork,
but more aggressive, like rave motion.
3 Beat
Theres not a special beat.
Is the combination of two or three different beats, like the old new beat
beat, the industrial beat, and moderns.
4 Voices.
No enough, only two, three or four, repetitive, all around the track.
5 Different versions.
As many as possible.
Crash House.
Crash Acid.
Crash Trance.
Crash Progressive.
6 The standard track.
The original version of Take five, Released
in September of 1995 c p D.D.LIGHT for Deecorp Records, permitted
to the Matrix Compilation is the first and standar track of this style.
This song takes advantages of an distortioned bass, and a
constant beat, aprox in 120 to 125 beats per minute. The samples voices
take part of Take five, an XL production of 1993 and a part of Raimunda
Navarro, 1991 or 92, James Brown Has Sex theme!
I hope that Ull make your own creations!!!!!!!!!
And please drop it to the Matrix Compilations, and of course, contact
us for your answers!!
Bye and make the music take control.
D.D.LIGHT Matrix//Deecorp Records.
Digital Sound Assembler.
Internet Email: ddlight@sion.com
madbit@sion.com
Standard points.
1 Treble.
Square position of notes, not enough variation, example:
C-5 01 .. .... Instruments
C-5 01 .. .... 01 HighHat
C-5 01 .. .... 02
C-5 01 .. .... 03
2 Bass.
Sintesized sound with distortions, like the bass of Army of Me of Bjork,
but more aggressive, like rave motion.
3 Beat
Theres not a special beat.
Is the combination of two or three different beats, like the old new beat
beat, the industrial beat, and moderns.
4 Voices.
No enough, only two, three or four, repetitive, all around the track.
5 Different versions.
As many as possible.
Crash House.
Crash Acid.
Crash Trance.
Crash Progressive.
6 The standard track.
The original version of Take five, Released
in September of 1995 c p D.D.LIGHT for Deecorp Records, permitted
to the Matrix Compilation is the first and standar track of this style.
This song takes advantages of an distortioned bass, and a
constant beat, aprox in 120 to 125 beats per minute. The samples voices
take part of Take five, an XL production of 1993 and a part of Raimunda
Navarro, 1991 or 92, James Brown Has Sex theme!
I hope that Ull make your own creations!!!!!!!!!
And please drop it to the Matrix Compilations, and of course, contact
us for your answers!!
Bye and make the music take control.
D.D.LIGHT Matrix//Deecorp Records.
Digital Sound Assembler.
Internet Email: ddlight@sion.com
madbit@sion.com
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